e_jo_m: Scholar with long blonde hair writing, possibly taking notes. Commonly interpreted to be a real or ideal secretary or student of Saint Augustine, painted by Raphael Sanzio in fresco opposite 'School of Athens' in the Stanza della Segnatura at the Vatican, commonly referred to as 'Disputa'. (Default)
Here are some common failure modes of architects:

 –  Designing with such rarefied aesthetic vision and criteria that the common person has no idea what the heck the artist is even going for, such that only someone with a degree in architecture (which none of the actual occupants have) can appreciate it. eg, Boston City Hall.

 –  Designing it for the sake of art, with no regard to the fact that actual humans have to live there. eg, Fallingwater.

 –  Paying attention to what the actual occupants actually need, and using that information for the purpose of designing the building to metaphorically represent what the actual occupants actually need, while failing to actually provide what the actual occupants actually need. eg, the David Williams Building, or BnF François Mitterrand.

It's not like it's impossible to make a beautiful building that is actually well designed for its occupants. Indeed, one might even say that that is the point of architecture, or perhaps merely the highest purpose of the art. eg, the Stephen A Schwarzman Building.

In fact, that's what makes architecture the kind of beauty that it is, as opposed to literature or painting or engineering! The amazing work that happens when you combine practicality with aesthetics. That's how you get the Thomas Jefferson Building and the Palais Garnier and the New York Guggenheim.

To be clear, I have no inherent opposition to hideous architecture. If the city is broke and needs to build a new homeless shelter and has the budget only for an ugly concrete brick, go with the ugly concrete brick. I have a problem only with architects who forget that architecture is for human beings.

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